After working on Series 1 of Ludwig for the BBC, it was great to be asked back to support Series 2.
There’s something particularly satisfying about a production returning. It means the process worked, the sessions ran smoothly, and the final delivery landed exactly where it needed to.
If you missed it, you can read about our work on Series 1 here.
Our involvement on Series 2 once again focused on ADR recording, including sessions with Dylan Hughes, capturing clean, consistent dialogue that fits seamlessly into the edit. As with the first series, the priority was maintaining performance while ensuring everything sits naturally alongside the production audio.
Ludwig continues to be a brilliant mix of crime, comedy, and drama, led by David Mitchell and Anna Maxwell Martin, with Dylan Hughes playing their son. Performances like these rely heavily on timing and subtlety, which always makes ADR an interesting part of the process.
Having already worked together on Series 1 meant everything moved quickly. Workflows were familiar, expectations were aligned, and sessions could stay focused on performance rather than process.
It’s always a pleasure to be involved in projects like this, and even more so when productions come back for the next chapter.